Are you new to comedy podcasts, overwhelmed by the array of options, and wondering where to begin? Then welcome to Start Here, a recurring guide to the best comedy podcasts available — and our recommendations for which episodes are the best entry points to your next auditory obsession.
For the uninitiated, it might seem odd to dive into the 25-episode U Talkin’ U2 to Me? with an entry devoted to the Bush-era mope rock band Staind.
We’re Here Granbury, Texas Season 3 Episode 1 Editor’s Rating 5 stars ***** Previous Next» « Previous Episode NextEpisode » We’re Here Granbury, Texas Season 3 Episode 1 Editor’s Rating 5 stars ***** Previous Next» « Previous Episode NextEpisode » A lot has changed in the world since the last season of We’re Here, and not for the better: More legislation targeting trans youth has been filed than ever, as the Washington Post noted in a story earlier this year.
For some reason, Howie Mandel has decided that the world needs to know about a bloody accident his wife had in a Las Vegas hotel. During a recent appearance on Live with Mark and Kelly, Mandel recalled that while “tipsy,” his wife had a fall so nasty that he “could actually see her skull” through a gash on her forehead. (He later clarified to TMZ that she was not drunk, but had taken weed gummies.
Audrey (Hong Chau), playing mind games on Homecoming. As proven on Mr. Robot, Sam Esmail loves to place a nice, ambiguous post-credits epilogue at the end of his TV seasons. With Amazon’s Homecoming, he does it again and makes it just ambiguous enough to necessitate more than one viewing. Here’s what’s going on — I think — in that final-final scene at the end of season one.
“All the world loves a clown,” Cole Porter once wrote. Turns out, not so much. Today, people’s perceptions of clowns are largely negative: clowns are weird, clowns are scary, clowns are incomprehensible. One thing clowns are not is funny. As Louis C.K. has said, “Clowns aren’t funny. There’s nothing worse than somebody who is not funny trying to be funny. That’s what a clown is.”
However, clowns remain intrinsically linked to comedy.
Ridley Scott’s House of Gucci, an Italian fashion family epic, creates a wild soap opera from the tempestuous romance between fashion heir Maurizio Gucci (Adam Driver) and his power-hungry bride, Patrizia Reggiani (Lady Gaga). Based on the book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed by Sara Gay Forden, the film covers 25 years in the couple’s life. We witness their first meeting and the moment when Maurizio’s skeptical father Rodolfo (Jeremy Irons) disowns him for marrying her.
How are you feeling today? With the premiere of Arrested Development coming up very soon — all those precious episodes dumped into the world on May 26 — you might feel a bit excited. Or ecstatic? Perhaps cautious? Maybe overwhelmed? Tell us how you feel by using our handy riff on the classic “How Are You Feeling Today?” chart.
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This review was originally published on June 9, 2016. On April 10, 2024, O.J. Simpson died. After watching all ten episodes of the work of high sordid art that was The People v. O.J. Simpson: American Crime Story, it felt like everything that needed to be said about O.J. Simpson on television in 2016 had been said. It turns out that wasn’t true.
O.J. Simpson: Made in America, the extraordinary five-part ESPN 30 for 30 documentary, has even more to tell us about the most famous athlete/acquitted murderer in the history of the U.
Zac Efron addressed online plastic-surgery rumors and opened up about the accident that “almost killed him” in an interview with Entertainment Weekly. While promoting his upcoming movie, The Greatest Beer Run Ever, at TIFF on Tuesday, Efron spoke about the internet’s theories on his changing jaw line, calling the speculation “funny.” “My mom told me,” Efron said. “I never really read the internet, so I don’t really care.
The writers, a choreographer, a dancer, two character actors, and Ariana Grande’s music-video director recount an iconic moment in cinema. The phrase bend and snap began with a couple of mojitos.
With a nearly complete script on their hands, Legally Blonde writers Karen McCullah and Kirsten Smith were at the Viceroy L’Ermitage bar in Beverly Hills, and they were stuck. Producer Marc Platt had tasked the pair with conceptualizing a set piece for the movie’s B-plot, which centered on Harvard Law student Elle Woods and her lovesick manicurist, Paulette Bonafonté, who had been pining after a deliveryman for the majority of their story.